PHOTOS FROM OUR RE-SHOOTS/PICK-UPS
A Message from Producer, David Oman: “Over the past several months, we have re-shot some outrageous new footage and then went back to the studio to re-edit and re-mix the entire film. We also added some music from notable bands from the late 1960’s. We promise that this will just enhance the experience. Below are some behind-the-scenes photos taken during our re-shoots that are being seen for the first time by the public, followed by stills and candid shots during principal photography. Enjoy!
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PHOTOS FROM OUR PRINCIPAL PHOTOGRAPHY
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James Oliver (“David”) and Sebastian
prep for a scene. |
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L-R: David Worth directing Marco Greco (“Rich”) and James Oliver. |
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Sebastian delivering his lines, or rather barks, with conviction. |
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L-R: Cameras roll on a scene between James Oliver and Yusef Gatewood (“Clarence Greene”). |
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Director David Worth explains the rope scene with Jonathan Mangum (“Jackie Roman”). |
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Writer Jim Vines (Left) and Producer David Oman (Right) are visited by a special friend (Center) who delivers a cameo in the film. |
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L-R: Alison Raimondi (as “Claudia”) is comforted by James Oliver (as “Teddy DeWitt”) as the action becomes grave. |
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Henry and his gang. L-R: Jessica Szohr (“Krista”), John-Dylan Howard (“Henry”), Via Osgood (“Shawna”) and Lisa Diane Morgan (“Tanya”). |
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Jessica Szohr (“Krista”) mentally prepares for one of the film’s intense moments. |
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Alison Raimondi (as “Claudia”) prays desperately as the horror begins to unfold. |
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Alison Raimondi (as “Claudia”) shooting one of the film’s special effect scenes in front of the green screen. |
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Angela Jones (as “Ronda”) in make-up for a bloody scene. |
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Make-up, blood and body positions are checked for continuity. |
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The cast outside the gates to the house at the end of the drive.
L-R: Jonathan Mangum (as “Robert”), Angela Jones (as “Felicia”), James Oliver (as “David”) and Alison Raimondi (as “Jennifer”). |
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Sebastian takes a break in between takes to review his upcoming lines in his head. |
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Producer David Oman demonstrates a stabbing with a fireplace poker. |
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John-Dylan Howard (“Henry”) relaxes from a busy 12-day shooting schedule. |
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Producer David Oman demonstrates how to seize and strangle a victim, using Alison Raimondi as his example. |